(via frenchcinema)
A little over 3 hours until the Pixies play The Fox Theatre here in Atlanta,GA.
Hoping the oddball conversion of buying general admission super-pre-sales will translate into fantastic seats.
It’s not exactly a pleasant experience having a flat tire rapidly try to extricate itself from the wheel while driving “the speed limit” on I75 North right as you’re approaching the exits for 285. It of course didn’t help either that we were in the second most left lane, and morons were passing me on my right because I had my hazards on, and they were completely oblivious, as usual, to the fact that I really wanted to get to the right-hand shoulder.
Study of Drapery by Alphonse Mucha
Fabric studies have always piqued my interest, something so simple and beautiful, and almost always taken for granted. Always extremely organic compositions, and the contrasts and shapes that come from such studies are always fascinating.

This has to be my favorite section of the piece, just because of the illustration of the underlying fabric structure, as well as the intricate highlights and vivid contrast.
Perusing hard drives, found this photo from about 4 years ago, taken on the back-roads of Conyers, GA. I had just recently got my new car and went on a little drive.
Taken with my old Minolta DiMAGE 7.
fiddling around with my new Diana lens on my Nikon D80 from Photojojo ( http://tumblr.photojojo.com/)
Raider, by Dave Kinsey
The Sand People are easily startled but they’ll soon be back, and in greater numbers.
Jean-Paul Belmondo in Breathless (1960, dir. Jean-Luc Godard)
“When I accepted the role, [Godard] gave me the script. Three little pages on which he’d written:
He leaves Marseilles.
He steals a car.
He wants to sleep with the girl again. She doesn’t.
In the end, he either lives or dies - to be decided.
That was it. So every morning, I learned about Poiccard’s further adventures. I had no idea what would happen to me that day. I found out each morning.”
Sounds about right..




